J.J. Abrams’ Star Trek
has the ability to reawaken the dormant Trekkie within you. That’s certainly
the feeling you get as you walk out of the film, suddenly aware of why you had
fallen in love with the franchise in the first place. Kind of like that moment
at the end of Wrath of Khan, when
Bones asks Kirk, “You okay, Jim? How do you feel?”, to which Kirk responds,
“Young. I feel young.”
There’s a sense of Trek giddiness that struck this writer that hasn’t been felt since the months and weeks leading up to the release of Star Trek: The Motion Picture back in 1979. And while that film, in many ways, took away a bit of the joy, this new one merely makes you hungry for more. Thankfully the taste for that particular meal can be satiated with the CBS/Paramount release of season one of the original series on Blu-ray.
On a creative level, season one of Star Trek was all about the bringing together the elements that would come to define the show, and its evolution is obvious as the season unfolds. Along the way we start to sense the depth of the Kirk/Spock relationship, which manages to be given even more weight thanks to the addition of the Abrams film.
And part of the key to the Blu-ray set, as inadvertent as it may have been, is that it serves as the natural follow-up to that big screen adventure. In particular, one should check out the episodes “Where No Man Has Gone Before” (the second pilot, and the first to team Shatner with Leonard Nimoy) and the first regular episode shot, “The Corbomite Maneuver.” It’s a whole new experience following the feature film as the actors are still discovering themselves, and the characters each other.
And yet that’s only the beginning, thanks to the wide range of extras on the Blu-ray edition. There are picture-in-picture commentaries of particular episodes, the vast majority of extras and interviews from the previous DVD release, Billy Blackburn’s home movies, which really do offer a previously unimaginable trip back through time to catch cast and crew at work, completely oblivious to the fact that they were creating a legend; there’s a documentary on the remastering of the series, showing the process for modernizing the show for the 21st century; an interactive Enterprise tour that, as it sounds, guides you around the starship; and considerably more.
The bottom line is that the Blu-Ray edition of Star Trek is easily the definitive one, and, like the new film itself, should go a long way in giving Trek the relevancy it deserves.
OUR OWN BONUS FEATURE:
As noted above, the early episodes of season one serve as an interesting continuation point from the J.J. Abrams film. When you’re done checking out the Blu-Ray edition of “The Corbomite Maneuver,” for instance, go behind the scenes on the episode in this excerpt from the recently published book Trek Classic: The Unofficial Making of the Original Series.
The Corbomite Maneuver
Episode #10:
"The Corbomite
Maneuver"
Original Airdate: 11/10/66
Written by Jerry Sohl
Directed by Joseph Sargent
Guest Starring: Anthony
Hall (Dave Bailey), Clint Howard
(Balok)
The Enterprise destroys a dangerous alien probe while exploring an uncharted region in space. Moments later, they are locked in the tractor beam of a ship identifying itself as the Fesarius, which has threatened them with destruction. All attempts at escape fail, and Kirk develops an ingenious plan to trick his opponent. What's even more ingenious is the episode's denouement, in which the true identity of the Fesarius' captain is revealed.
Writer Jerry Sohl explains, "I was thinking suppose you ran across a cube in space. A cube is so damn finitive and so square and so unlike nature, and so un-asteroidish, that you know right away that it represents intelligent life, unless of course it could be some salt cubes or something like that. Anyway, a thing like that in space, whirling around all by itself, has to be a great mystery. Immediately I thought, 'What is it doing there?' Then I thought, 'It's like an electronic warning system at the frontier, and Kirk and his group are so arrogant that they just destroy it,' which, of course, is the point where this ship appears and says, 'Okay, you guys stepped too far and it's tough shit.' That's where my thinking went.”
In terms of STAR TREK and this episode's impact on it, Sohl says, "'The Corbomite Maneuver' was supposed to be the first episode, but unfortunately it did not appear first in the series because they had so much trouble with the special effects. However, Gene told me that the network liked my script so much that they ordered nine or thirteen more. Whether he bullshitted me and made me feel good, I don't know. [But] the first script [had to deal with such issues as] whether the elevator goes up...Gene wanted the elevator to be able to go sideways through the entire ship. I wrote it so that you never knew whether it was going up and down or sideways. The ship was supposed to be as big as the Empire State Building.”
Story Editor John D.F. Black notes, "The thing about 'The Corbomite Maneuver' is that it was such a simple story. When you think about it, structurally, in terms of most science fiction, and I can think of three or four others that we had that would be the exact antithesis; that were so much more complicated naturally that it was something to watch. Here the situation was to watch that the story was not expressed as simply as it really was. Television and any entertainment medium is magic. We are all in the magic business. Well, here it was like close-up magic, which is what Jerry was doing. It was like he has five cards in his hand and he wipes his hand and he's got four, he wipes it again and he's got three, and you're only a foot and a half away and you don't know what he did with them. 'Corbomite Maneuver' was, by its nature, a very simple story. Jerry knew it and that's really why he wanted to do it, because he thought science fiction when it was adapted to film became so elaborate in story and structure, that he really wanted to do this one and he really busted his tail.”
Director Joseph Sargent, whose
other foray into the world of science fiction was the 1970 cult classic, Colossus:
The Forbin Project, recalls, "They
chose mine as the one to open up the series [though it aired as the tenth
episode]. The comforting thing is that I had a hand in shaping the characters.
For instance, they had an Asian, a Scotsman and an alien. I suggested that they
have a black communications officer. Gene Roddenberry instantly jumped on the idea because it provided an
interesting balance." [It should be noted, however, that
Roddenberry had cast actor Lloyd Hanes in the role back in the “Where No Man
Has Gone Before” pilot]
Sargent, however, had a differing view of that logical "alien," Mr. Spock. "Leonard Nimoy was unhappy because his character was without emotion," he laughs. "He said, 'How can I play a character without emotion? I don't know how to do that. I'm going to be on one note throughout the entire series.' I agreed with him and we worked like hell to give him some emotional context, but Gene said, 'No way, the very nature of this character's contribution is that he isn't an earthling. As a Vulcan, he is intellect over emotion.' Leonard was ready to quit because he didn't know how he was going to do it. Humorously enough, after I saw STAR TREK IV, I called him and we discussed the ironies of life. If he had quit, he wouldn't be anywhere near where he is now. Not only is he a household symbol, but he's also a very high-priced director."
Despite only directing one episode, Sargent's feelings about STAR TREK and what it was trying to do are very succinct.
"I'm not a science-fiction fan because after a while, it gets into a sameness," he states. "But STAR TREK was filled with imagination and substance. Each episode had that distinctive added dimension to it. It's science fiction with something to say, along the lines of Ray Bradbury, who I think was a big influence on Gene Roddenberry in terms of making the stories say something as well as provide entertainment. That's why STAR TREK has been so enduring. It's not just because the characters are fun and appealing, which they are, and not just because somebody's beaming somebody else up, but also because they're beaming up something a little more important than action and adventure."
Just because someone doesn't love you the way you want them to,doesn't mean they don't love you with all they have. Do you understand?
Posted by: jordan retro 3 | August 05, 2010 at 01:32 AM